Example of a composition: Phrase | 6/8 | UPV

Universitat Politècnica de València - UPV394K subscribers

About this video

Editorial review · 85% confidence

More uploads from Universitat Politècnica de València - UPV, a channel vetted in rounds 1-2 (pick mode); title passed a strict per-title check; oEmbed verified.

A 9-minute video from Universitat Politècnica de València - UPV: “Example of a composition: Phrase | 6/8 | UPV”.

Art & Design

Video by Universitat Politècnica de València - UPV, played through YouTube's embedded player.

24:26

The Beauty of Bézier Curves Freya HolmérProgramming & CS

2.23M views

8:00

Edgar Wright - How to Do Visual Comedy Every Frame a PaintingArt & Design

11.3M views

1:15:07

3. Inferno I, II, III, IV YaleCoursesPhilosophy

323K views

Powers of Ten™ (1977)Eames OfficeLectures

9.48M views

Akira Kurosawa - Composing Movement Every Frame a PaintingArt & Design

10.8M views

1:13:50

The Continuity of Splines Freya HolmérProgramming & CS

1.89M views

32:39

The Great Myth of the Medieval Tritone Ban Adam NeelyArt & Design

1.41M views

14:16

Michelangelo's David: Great Art Explained Great Art ExplainedArt & Design

4.9M views

34:29

Does Music Have a Speed Limit? And Why?Adam NeelyArt & Design

529K views

Painting a Character with Maths Inigo QuilezProgramming & CS

457K views

13:08

Inglourious Basterds — The Elements of Suspense Lessons from the ScreenplayArt & Design

2.81M views

Coding Adventure: Ray Tracing Sebastian LagueProgramming & CS

1.59M views

24:26

The Beauty of Bézier Curves

Freya Holmér

2.23M views

Freya Holmér builds Bézier curves from linear interpolation up, covering de Casteljau's algorithm, derivatives, arc length and their use in games and graphics.

8:00

Edgar Wright - How to Do Visual Comedy

Every Frame a Painting

11.3M views

How Edgar Wright builds jokes out of camera movement, framing, sound and editing rather than dialogue, contrasted with flatter Hollywood comedy coverage.

1:15:07

3. Inferno I, II, III, IV

YaleCourses

323K views

Giuseppe Mazzotta reads the opening cantos of Dante's Inferno: the dark wood, Virgil and the structure of Hell.

Powers of Ten™ (1977)

Eames Office

9.48M views

Charles and Ray Eames's classic short film zooming out and in by powers of ten, from a picnic to the edge of the known universe and down to a proton.

Akira Kurosawa - Composing Movement

Every Frame a Painting

10.8M views

How Akira Kurosawa uses movement — of nature, groups, individuals and the camera — to compose scenes.

1:13:50

The Continuity of Splines

Freya Holmér

1.89M views

A follow-up on splines: the different kinds of continuity (C and G), and how Hermite, Catmull-Rom, B-splines and NURBS trade them off.

32:39

The Great Myth of the Medieval Tritone Ban

Adam Neely

1.41M views

Investigates the popular claim that the medieval church banned the tritone and traces where the myth came from.

14:16

Michelangelo's David: Great Art Explained

Great Art Explained

4.9M views

The story of Michelangelo's David: the marble, the commission, the technique and its meaning in Florence.

34:29

Does Music Have a Speed Limit? And Why?

Adam Neely

529K views

Explores the upper and lower limits of tempo, where rhythm turns into pitch, and the psychology of perceiving beat.

Painting a Character with Maths

Inigo Quilez

457K views

Inigo Quilez paints a 3D character entirely with maths in a shader, using signed distance functions, smooth blending and lighting step by step.

13:08

Inglourious Basterds — The Elements of Suspense

Lessons from the Screenplay

2.81M views

Uses Inglourious Basterds' opening and tavern scenes to show how screenwriters build suspense through information and stakes.

Coding Adventure: Ray Tracing

Sebastian Lague

1.59M views

Writing a ray tracer from scratch: rays, spheres, lighting and materials.